Yves Eyes

Yesterday night, Wednesday, we went into an abstract café… the abstractionists were there. They are easy to recognize because they give off an atmosphere of abstract painting, plus you see their paintings in their eyes. Maybe I’m delirious, but I have the impression I see things like that. In any event, we sat down with them. Then we began speaking of the book Yves Peintures. Later, I went to get it from the car and I laid it down on the table. At the very first few pages the abstractionists’ eyes began to change. Their eyes lit up and in the depths, pure, beautiful single colors appeared.

Paris newspaper, dated January 13, 1955






What did I know? At the time
I was certain that Yves eyes

were brown, not earth’s honeyed hue
exposed by wind, or the chocolate

of cocoa, or blurred like weakened
coffee, but a tender doubled tint—

morning’s shady past slowly
edged in dew’s damp linens,

the shyness of water’s soft fall,
light’s luminal glance

as day’s electricity turned first
on then off. Isn’t absence

what is most real? Someone
dreams a beginning, the impossible

burst of orange— one framed
wooden window. The sky

beyond is not simply scarred by birds,
or cumbersome clouds

seam-ripped by motorized machines
but faked by fingers that study

the blue. And blue,
someone says, is the great trick—

a kind of universal masturbation,
where the hand is always eager

to grasp what it sees.