from couplets for awhile. Actually, I simply tire of them. I will think of some other form in which to place my bouquet.
Pick and Gogh
The sunflower is a victim
of her own success—
shades of the girl next door,
once good looks and sunny
dispositions preserved her
role in the spotlight.
Now she’s clichéd,
the wasted model in mass
produced t-shirts and towels
a multiple personality—
the sunflower scrabbles through days
turgid in suburban portraits,
loses sight of the path, movement
of the sun. Follows instead
plots sown, unseeded in the core
of her being, beliefs shed
black-eyed weathering, the future
pecked clean by posturing.
3 comments:
Oh, I like this one...
My only nit-picky suggestion is that there seems to be one too many clauses in the last few couplets.
Like "wasted model in mass/produced t-shirts" and "black-eyed weathering". Agree with Ariel, the last few couplets are a bit too compacted or clausified. Maybe throw a fragment or short sentence in there to break it up?
Curious to see what your new form will be...maybe we could all try to write in a different form at least once next week?
I do enjoy your line breaks in this form - e.g. "mass/produced".
Perhaps I will take up the couplets that you are abandoning, as I've never tried them!
Post a Comment