The Blue Revolution
“blue recalls, if anything, the sea and the sky,
the most abstract elements of touchable
and visible nature” Yves Klein
1
Klein knew it was not just staged
squares of IKB so much as the white
walls behind that sets the mind’s
placement of scene, and how it is not
presence that orchestrates an endless heart,
one single note continually performed
but absence that eternally holds us in place
and time. Maybe the wind
works the same, presses in to ample
open spaces, yet hides some nights behind
horizon’s co-ordinated curtain, softly snags
us in frames half filled with prairie then sky.
2.
Tonight I stroll the farmyard lane —
frogs and tadpoles long crooning,
coyotes echoed bass
in a nearby field. The unwavering
sound deafens a nephew’s
grinding truck as he follows me
in the dirt, his easy growl
assuming the role of motor
as he screeches to a halt beside me.
We stop in windless dusk
toss rocks at willows woven in water,
listen to another creature whoop
more vocals from reedy roots.
The dog dives at the muddied surface
shatters an evening choir cloaked by stems
and suddenly I wish I could sink
up to my knees, catch and hold frogs
and toads and tadpoles, keep
a year’s past uncertainties in glass
mason jars, confine disappointment as creatures
rescued from a stationary pond
hours siphoned in to the clear
jar, each tiny second examined
under secured scrutiny then quietly set free.
3.
Wind’s cease-fire stages each scene.
My own performance, the year’s shawl
wrapped lightly around my shoulders, corners
loosened by rehearsals. In the wind’s absence
I measure and re-measure the fit—
each day’s rough fabric against white shoulders.
Without the wind—what are we? Smooth
aluminium siding sidled next to each other.
Neighbours nudged by blind fingers.
The wind moves us, draws us in
dark ink, pushes us forward. Without it
we are silent, uninhabited blue.
A site for May Day, an effort of poets from Winnipeg and beyond, taking place for the eleventh time in May 2015.
Monday, May 07, 2007
I think
...that this isn't quite ready to share, so I'm sharing it. Perhaps another's brain will work better than mine today. I had some trouble with formatting--it took awhile to figure out the line break stuff and I think I've ended up with a different font.
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5 comments:
...keep/a year’s past uncertainties in glass/
mason jars
ooh laa laa
nice
sms
I see the connections between the first and third sections, but the second just doesn't feel to me like it belongs. That said -- I LOVE the second section and think it could stand well on its own. I love how concrete and simple (in the good way!) this section is -- how visual and rich with sound.
Hey Tracy,
This is very strong stuff...
While I'm not entirely in agreement with Kerry, but I do think the second section needs to be a little more like the other two...
(I want my own goddamn colour!)
Well just to be confusing, I love the second and third stanzas, but I'm not sure how the first one fits. No doubt, there's great stuff here. This feels like the beginnings of a long poem. Perhaps as you keep writing, all the parts will find their place.
Like the question "Without wind, what are we?"
Love the mason jar imagery also.
seems like you've a theme
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