For the residents of Slave Lake, AB.
sweaty fingers
slipping on the car handle
burnt plastic smoke
sour on your tongue
yips
from what could be the dog
following Marie from room
to frantic room or the kids, clutching
their phones
like they were going to text the fire
out, earbuds still in.
there.
the car door
swinging slow slow an accordion
wheezing open.
The light
flickers on. you turn
your head your nose
streaming.
COME ON. NOOOW.
And they spill out the back door
in gouts like a thumb on the end
of a hose
and there is fire in your peripheral
vision as you swing
into the drivers’ seat and stab
the wrong key at the ignition
and there is fire
three doors down and the sky
is full of ash
and sparks
as you scrabble the right key
into the slot
and black plastic smoke
makes you weep
as you rev the engine into screaming
life and it is three slow steps
to the car
and you have idled in the driveway
before, sat and honked
and waited for them
and as you drive
away
from the fire, listening to their ragged
breaths
and small exclamations
at the fireworks of right angles
of wood siding brick vinyl siding
going up
as you drive away
from the tree you mulched
every year the tree and everything
every thing else
you have
going up
you’d like to bottle
their hesitations, their ragged
breaths
and as you lurch onto
the highway
sniffling, trying not to speed
or drift into the other lane
your daughter says
“Dad I’m not wearing my seatbelt!”
6 comments:
just wow. what a heartpounder.
terrifying how many people didn't have gas to get far, too.
and being separated from family. the news clipping was heartwrenching.
(how strange is it that one neighbour is flooding and the other is on fire. very surreal end times?)
wow. well done! and the ending brought a smile..i didn't even grow up with seat belts/oh the ever-changing priorities du jour!
I don't feel that vision,stanza 13,is necessary. I feel a natural stop at peripheral. It threw me off a bit..?
Very clear sense of urgency, even panic, in this-- the way you stretch out the moment of waiting for the family to get to the car.
The lines "you'd like to bottle// their hesitations" puzzled me. I couldn't picture why the speaker would want to do that.
It seemed to me that you could leave out "trying not to speed/or drift into the other lane," or else include just one of those two things. That super last line might have even more punch.
The pacing in this piece is excellent- makes it so breathless. I tripped on the line with the "gouts"? The ending is funny, and I actually found that a bit disappointing, to exu this lightheartedly, but it may be your intention to end on a positive.
Love how vivid this is -- the details of the kids still on their phones, the acrid air, etc, but I'm not getting a sense of urgency here. I get that this is a time-slows-down moment, but it all feels a bit too languid to me. I think some of that has to do with the evenness of the couplets, or the length of the poem stretched down the "page" but it comes off as leisurely to me. (Also, the diversion about the waiting in the driveway confused me -- memory of waiting for kids?)
The energy has a great energy--it's tense and frantic. I wasn't crazy about the dialogue in the poem, specifically the final line. It kind of deflates the poem, the tension so beautifully built.
I agree with Kerry that the couplets might be working against it. I'd suggest playing with the form and line lengths/breaks a bit.
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