A site for May Day, an effort of poets from Winnipeg and beyond, taking place for the eleventh time in May 2015.
Friday, May 17, 2013
Literary Astrographer
the big little bang theory: wondering what sound stars make
when they shoot, and is a shooting star
an act of constellatory aggression? who are they
shooting at, and with what? maybe they only get one word and it's BANG
or maybe the stars look
down on us at night and whisper
did you know those tiny flickering lights
burned out long ago?
it's just that we don't speak the same language
you, me, and the stars, and there are
no translators or mediators to tell a rock
what a raindrop is crying about, let alone a pulsing distant sun
and the air I push out shaped in words
has been distorted from synapse to sound
there is no purity in language
and one never equals one
every metaphor
a loaded / unloaded
gun:
unbang.
Thursday, May 16, 2013
contradistinction
Being soft for you
is hard for me
yet you say
giving in
is not the levee cracking
but a chance to build
my body
braced to fight,
shudders,
threatens to crumble
under your lightest touch
if you break me,
you promise,
it will be
like a wild horse
not a fragile vase
and what feels like
pitiful weakness
is my greatest strength
Wednesday, May 15, 2013
Theme and Variations
(After Beethoven's Piano Sonata no. 30 in E major)
It's dark, late evening.
Light wind through the elms.
The air smells like rain.
1.
That windy evening in the park.
Why don't we climb? you said.
We sat on a branch, low in the massive pine
and lost count of the times we kissed.
2.
Talk to me, I said
after one of those long, hot days.
Evenings on the balcony we'd wait
for any small movement of air.
3.
Two a.m. and you weren't there
beside me in the dark bed.
You were somewhere on the roadside
waiting out the blinding rain.
I lay awake, imagining calamities.
4.
It was almost dark when we walked
home in the rain. I said because
I love you, but couldn't explain
how that answered the question.
5.
We brought home takeout chicken,
drank a toast and talked till late.
Lit candles and turned out the lights.
6.
Late evening. It's dark.
You at your desk. I pass
behind you, stop
to touch your hair.
There's a light wind in the elms.
The air smells like rain.
It's dark, late evening.
Light wind through the elms.
The air smells like rain.
1.
That windy evening in the park.
Why don't we climb? you said.
We sat on a branch, low in the massive pine
and lost count of the times we kissed.
2.
Talk to me, I said
after one of those long, hot days.
Evenings on the balcony we'd wait
for any small movement of air.
3.
Two a.m. and you weren't there
beside me in the dark bed.
You were somewhere on the roadside
waiting out the blinding rain.
I lay awake, imagining calamities.
4.
It was almost dark when we walked
home in the rain. I said because
I love you, but couldn't explain
how that answered the question.
5.
We brought home takeout chicken,
drank a toast and talked till late.
Lit candles and turned out the lights.
6.
Late evening. It's dark.
You at your desk. I pass
behind you, stop
to touch your hair.
There's a light wind in the elms.
The air smells like rain.
Tuesday, May 14, 2013
Appearances
Through the car window, a coyote
standing still in an empty field.
Once, a glimpse of a slender brown animal
slipping into the undergrowth
and once, the banner of a skunk's tail
in the tall grass.
In the bushes, a rustle of something fleeing
as footsteps pass too near.
So rare, that permission to look long,
to take in the blunt shape of a head,
the way wet hairs spike together
on a furred back. The tail's propulsion.
If you could fade, escape notice.
Become a tree, a shadow.
A brief sighting you try to interpret.
You look and look after it's gone.
standing still in an empty field.
Once, a glimpse of a slender brown animal
slipping into the undergrowth
and once, the banner of a skunk's tail
in the tall grass.
In the bushes, a rustle of something fleeing
as footsteps pass too near.
So rare, that permission to look long,
to take in the blunt shape of a head,
the way wet hairs spike together
on a furred back. The tail's propulsion.
If you could fade, escape notice.
Become a tree, a shadow.
A brief sighting you try to interpret.
You look and look after it's gone.
Monday, May 13, 2013
Gardening
The woman fears she
will no longer be able
to do what she loves.
An apartment for adults with autism is being built
next door. The camera
zooms in on her white
knuckles as she pulls
one last weed
from her backyard.
Unwinter
Grey spring, crawling
out from under the snowbanks with undulating
limbs, a blind tick seeking
summer-skinned heat. Fingered
by frigid winds,a moon-cool
sun. Winter floured the boards
pervasively with dust, rolled
everything flat, a thin and cracking
crust reverberant with promise
of sour small berries and narrow green
apples, black-specked and worm-eaten. Birds
shrill at all hours from bare
branches, and do not build
nests. We are slashed tires and cracked
cellos. Unrinsed wine glasses left
overnight on the table.
out from under the snowbanks with undulating
limbs, a blind tick seeking
summer-skinned heat. Fingered
by frigid winds,a moon-cool
sun. Winter floured the boards
pervasively with dust, rolled
everything flat, a thin and cracking
crust reverberant with promise
of sour small berries and narrow green
apples, black-specked and worm-eaten. Birds
shrill at all hours from bare
branches, and do not build
nests. We are slashed tires and cracked
cellos. Unrinsed wine glasses left
overnight on the table.
Sunday, May 12, 2013
Unbottled joy (an ode to Prozac)
if future pain
should point a sideways finger
at this encapsulated zest
forgive the risk I took
to see you blow me a kiss
throw yourself into the wake
of bygone boats
chest out with squeals of
catch me
where weeks ago
were covered ears & eyes &
tears
in corners where
even the TV looked dark
bursting with
God’s got it
today you twirl your way
to the altar
throwing arms wide
for Jesus
a yes grown flesh
motherhood: denied
they couldn't have
my womb, I said,
through the popping
pain of cherry cysts
moon after month after year.
it is mine, it is me
where possibility
lives, I said,
in hope and in pain.
scars now hold it in
place, womb
melded to muscle and
fibroids,
to organs less
important to me than -
now I await
menopause in hope
that these days in
pain might go away (?).
lying in bed these many hours
frida keeps
me company,
and between sweating bouts of agony
I rise to give birth with words or paint
to my babies, determined that my centre too
can be whole and give birth to beauty.
Saturday, May 11, 2013
Zoo (rewritten)
You love that the clown fish can change size,
change sex, change colour. Protected by its own sugary coating, it lives under
the anemone’s toxic sting.
We know where you live.
Wildebeests gather in herds for protection.
The antelope who stands out is the one the lions snatch.
We work
faster than pediatric AIDS, cancer, and diabetes combined.
Boa
constrictors can stretch jaws wide to swallow rabbits whole. You can't wait to
show me photos.
We have
your son.
Everyone knows cheetahs can outrun us, but
that a peregrine falcon can fly 320 kilometres an hour, fly into the sun, fly
until he becomes invisible – I know this because of you.
We
will make sure he will not be able to care for himself or others for as long as
he lives.
Thirty-two acres a minute, you can’t stop
saying, thirty-two acres of that ape’s habitat destroyed, every minute; and you
can’t see the rest of the primates for your tears.
We
are destroying his ability for social interaction and driving him into a life
of complete isolation.
Your hand in mine, we watch the newborn
hummingbird, smaller than a penny, lick 13 times a second with tongue shaped
like a W, taking in its wishes, on wings iridescent as bubbles.
Hello from Sage Hill! :)
riding home in a rainstorm
teardrops blink open pavement
jellyfish sting bare skin
jello-words slide
out of my mouth, black indelible
poison shot from electric
fingertips. porcupines
would show more kindness. thunderstorm
impotent thundering
above and no bingo-ball lightning
eccentric, a cracked
bulb swinging a thin
filament in a darkened
room. air is cold and low
on my face, bike pedals thrum
and headlights bounce like
Atari's Pong, erratic
and fat against
a final wall
cement smooth
and humming tires.
jellyfish sting bare skin
jello-words slide
out of my mouth, black indelible
poison shot from electric
fingertips. porcupines
would show more kindness. thunderstorm
impotent thundering
above and no bingo-ball lightning
eccentric, a cracked
bulb swinging a thin
filament in a darkened
room. air is cold and low
on my face, bike pedals thrum
and headlights bounce like
Atari's Pong, erratic
and fat against
a final wall
cement smooth
and humming tires.
River 4
the ice on the river has cracked and floe'ed. scatter the earth. prepare the seed. dig deep. you are the plough horse. winter has rusted your flanks. winter has clanged cold the iron bit, the halter, the cultivator, the hoe. the hay had begun to mould anyway. you shake out into the prairie sun. spring's reins release you from cold quarters. to the field. to the wide open fields. "hey up," your master says. you part the old earth. there are buds now. in the willow trees.
Thursday, May 09, 2013
Gallery
She thought of it as taking
a chance: hanging pieces
of her life from a bush
in the shade in this tiny park
scenes from an album (of what
occasion, she wouldn't say
although it looked happy)
glossy prints bordered in white
two holes punched, loop of yarn
hung in a gallery of twigs
the same faces recur
in pairs, foursomes, a group
(her family or another's?)
she hung them unmarked and left them
snow fell in the night
one picture caught on a branch
lay flat, covered in white
the next day she saw it
she was torn between admiring
the perfect frosting of snow
and wanting the image revealed
a sweep of her finger would clear
it all away— or should she
uncover only half?
she grew nervous, not wanting
to be noticed, unable
to decide. Finally
she touched a corner of the picture
with one finger
the merest touch
that tilted it a little
the snow began to slide
she counted to three
and let go
a chance: hanging pieces
of her life from a bush
in the shade in this tiny park
scenes from an album (of what
occasion, she wouldn't say
although it looked happy)
glossy prints bordered in white
two holes punched, loop of yarn
hung in a gallery of twigs
the same faces recur
in pairs, foursomes, a group
(her family or another's?)
she hung them unmarked and left them
snow fell in the night
one picture caught on a branch
lay flat, covered in white
the next day she saw it
she was torn between admiring
the perfect frosting of snow
and wanting the image revealed
a sweep of her finger would clear
it all away— or should she
uncover only half?
she grew nervous, not wanting
to be noticed, unable
to decide. Finally
she touched a corner of the picture
with one finger
the merest touch
that tilted it a little
the snow began to slide
she counted to three
and let go
Sweet Hereafter
The grandfathers sit around in heaven smoking white pipes
with dogs fetching slippers and one, he say, tapwe Jack
we should get the kids together down there to build or mend
fences and then the grandmothers they call everyone
for dinner (it's always dinnertime in heaven, one big
feast) and the kids who get to play with fire now
alla time, well, they light all the candles in the night sky and dim
the moon as the mood takes them
and sometimes they dance before dinner
tableclothes billowing in all kind of colour eh,
and the bannock, well,
she never burn.
with dogs fetching slippers and one, he say, tapwe Jack
we should get the kids together down there to build or mend
fences and then the grandmothers they call everyone
for dinner (it's always dinnertime in heaven, one big
feast) and the kids who get to play with fire now
alla time, well, they light all the candles in the night sky and dim
the moon as the mood takes them
and sometimes they dance before dinner
tableclothes billowing in all kind of colour eh,
and the bannock, well,
she never burn.
Wednesday, May 08, 2013
River 3
they broke the earth, spring in, spring out. tall those blonde Swedish men. big hands they worked the land. teamed horses. teamed together. plough and Percheron. scattered the wheat seed. seed cleaned by hand, sowed by hand. broke the bread of that northern land. the north Saskatchewan. the Battle River. sweet waters. sweet grass.
COL 2 - NYY 0
It would have been harder
to choose who to cheer for
if my boys had been out
on the field.
But it's been 20 years -
am I supposed to
go wild for names
I've never heard of,
players brought in
from rival teams,
just because
I once loved
the boys who wore
those pinstripes?
Do I root for
empty jerseys
games gone by
the life I lived
in a faster city,
boys who wore
loose suits and tight ties?
Do I betray
this new life I've built
crying for old players
old colors old days?
Or is clapping when
pinstripes strike out
disloyal to the girl I once was,
the boys for whom I wore
my heart on my sleeve?
So hard to remember
boys are gone
girl's a woman
girl's a woman
players retired
stadium blown to bits
one gray day off season.
What do we do
now that we wear
civilian clothes,
without a next pitch
to lean in for
under the bright lights?
trees mushroom out of stars what was that wonderful descriptive phrase I thought of while staring in the mirror at my midlife crisis averted by a sudden detour around the potholes everywhere you turn some big enough to swallow Philadelphia cheese steak your claim now before it's too late grows the hour where we planted minutes only seconds ago tick talk tick talk about what really matters can only get worse before it gets better late now than never
Tuesday, May 07, 2013
Afterwards
And now I have things I can't get rid of.
This is how it goes: the bookmark
with your pencilled message, signed
with a flourish on the initial B—
the photo of you on the summer trail
by the river, the tilt of your head,
your over-shoulder grin—
the road-trip south in your little blue car,
windows open to the dusty breeze,
herd of pronghorn in the distance—
your blunt advice: look for another job.
And later: It's your wedding, you choose the colour.
The way, at twenty-five, we shook our heads
over our naiveté at twenty.
But I can't remember the job you had that summer.
The music you played, that's gone too.
And the last thing you said,
I can't find it. Cant find it anywhere.
This is how it goes: the bookmark
with your pencilled message, signed
with a flourish on the initial B—
the photo of you on the summer trail
by the river, the tilt of your head,
your over-shoulder grin—
the road-trip south in your little blue car,
windows open to the dusty breeze,
herd of pronghorn in the distance—
your blunt advice: look for another job.
And later: It's your wedding, you choose the colour.
The way, at twenty-five, we shook our heads
over our naiveté at twenty.
But I can't remember the job you had that summer.
The music you played, that's gone too.
And the last thing you said,
I can't find it. Cant find it anywhere.
The usual reminder
Hi everyone,
It's great to see everyone's work coming up on May Day. I always enjoy seeing the themes that each writer follows through the month.
Just a reminder: do remember to label each of your posts. It will make it much easier for you (and others) to find your work later.
Thanks, all!
It's great to see everyone's work coming up on May Day. I always enjoy seeing the themes that each writer follows through the month.
Just a reminder: do remember to label each of your posts. It will make it much easier for you (and others) to find your work later.
Thanks, all!
Astronaut Icarus is Addicted
Eyes
on mine
fire up the engines,
the spoon
Lips
on neck
flight begins
Fingers
on wrist
off to space
Mouth
on breasts
heat panels fail
On and on
time ends
life begins
Never ever enough
shoot me up
again sugar
even if
the clock must
start again
even if
re-entry is
so cold alone
even if
the crash
is death
I'll extract
these cracked bones
from the earth
reassemble
drag us back
to the launch pad
insist on
another mission
no matter how risky
or how much radiation
I've already absorbed
on mine
fire up the engines,
the spoon
Lips
on neck
flight begins
Fingers
on wrist
off to space
Mouth
on breasts
heat panels fail
On and on
time ends
life begins
Never ever enough
shoot me up
again sugar
even if
the clock must
start again
even if
re-entry is
so cold alone
even if
the crash
is death
I'll extract
these cracked bones
from the earth
reassemble
drag us back
to the launch pad
insist on
another mission
no matter how risky
or how much radiation
I've already absorbed
slice
What she said
when she caught me looking
as her sleeve slid up:
---
----
------
-- ---
- ----;
---- ----
------
--
----
---
----.
and her sleeve slid back down
like a blade over skin.
when she caught me looking
as her sleeve slid up:
---
----
------
-- ---
- ----;
---- ----
------
--
----
---
----.
and her sleeve slid back down
like a blade over skin.
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