nothing was ingested today but coffee, but a friend
has dropped off a loaf of braided bread, herbed
goat cheese. I eat standing, my humble/decadent Pesach. Today
I worked on a play about Residential School Survivors
and the many more lost. I finished a tiny pair
of beaded vamps for the children who died of
starvation and (mal)nutrition experiments. My grandmother
had one sister and two brothers who lived, and
more than that
who never saw adolescence, I don't know exactly
how many. There's a lot
I don't know.
She spoke about her school experience once,
when I complained about my homework. I had to read
that book in French, and if we misspoke the words
we were punished. That was all. Even then
I knew there was more to the story. Her eyes
spoke a closed world to me I can still almost see. Her
baby sister told me many years later, your grandmother
once whispered to me at school, if she didn't have kids
by the time she was 18, she would die. Starving
for love and family, a hunger for permanence. My hands
stop shaking now, and I taste the bread she never could
(a celiac who spent most of her life deadly sick until
it was diagnosed, then baked for her dozens of grandchildren
while eating
plain meat and rice.)
Earlier today at Yom Ho Shoah the horn sounded for six million dead
1.5 million children.
I mumbled the parts of the Kaddish I am beginning to learn
one year at a time, and hummed the Israeli music in snatches
of breath filled with pebbles. Robbie Waisman
implicated us with his stories as a survivor
tying the Holocaust to Canada's Indian Residential Schools, please pleas
to the blind-headed and the lame-hearted
to make it stop, make it one day truly be
never again. Skeletal pictures on the screen of people still somehow alive.
In the basement of the synagogue, stories of resistance.
In and after 1885 more women and children died of disease or starvation
than casualties from both sides. With no homes or guns
we ate gophers or our own dogs.
Robbie's spirit had come to me while beading; memories
of his little nephew Nathan and Nathan's mother Golda -
"I fell in love with her when I was eight, but gave her up- who refused
when my oldest brother Chaim married her. She had a curl in the middle of her forehead
like an upside down question mark."
to leave her three-year-old and went to the gas chamber with him
in her arms.
"The famine ships from Ireland were floating coffins," my cousin said to me.
Like other family members, he tried to find our relatives back in Ireland,
but they were all long dead
with no descendants but those who survived the death ships. Here.
Not an unusual story, Robbie said to me two years ago, wiping away tears
that his own mother had gone to the same chamber in Treblinka. Robbie was her baby.
At 11 he watched his closest brother climb into the truck to be shot, and ran after it.
I wanted to tell him his mother was surely that life-force that stopped him
from being loaded in, that he was the comfort to her in death
and life, that her will to live was still present in his body, but instead
I said then and today, when we hug again, "Your family is proud of you. They see you."
"My name is Nya, I came to the Yom Ha Shoah today because
I am from Kenya and they are killing my people there. I have lost
most of my family."
I showed him the vamps saying they are also for Nathan and Golda.
One is thinner than the other to represent starvation. They are both
too tiny.
Then I go home to find the braided bread,
ram's horn echoing
in the gas chamber of my heart
and I eat and I eat while I peel potatoes for supper. Because
I'm famished.
3 comments:
I like how the title works both literally and figuratively, and the way you bracket the heavy, sad stories with everyday hunger and details of food.
You could tighten in several places, shorten the explanations, to bring out the import of what you're saying, e.g. in the second stanza "Once when I complained about homework she said, I had to read that book in French...[etc] I knew there was more to the story. Her eyes spoke..." --or something like that. I'd also try to condense the bracketed lines at the end of the stanza.
"breath filled with pebbles" --very nice.
Not sure about "the gas chamber of my heart" -- implies that you, too, are responsible for deaths in some way. Is that what you're after here?
oh I know I am going to drive you crazy, but I'd like you to start your piece with the last stanza ... 'I go home to find the braided bread...' Then I would like you to braid the stories together.
I'd like you to speak in your mother's voice rather than tell us that she spoke of the schools etc.
Andie, your work is always so rich. One day I hope we meet because we share a heritage.
The contrast between the braided bread and the families eating gophers and pet dogs. Wow. Overwhelming emotion. I'd agree with Joanne's suggestion of tightening.
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