Sunday, May 02, 2010

Istanbul

For A.P.V.


She sautés potatoes in coats
the colour of, she imagines,
wet Turkish sand, spreads cheese
on apples in anticipation
of weeks of only feta
from the Istanbul market. As she waits
for the brunch guests, the word Tuesday
sings through her head, in tune
with the kettle, the dove
perched on the fence. A packing list
of the familiar: the orange kitchen,
the varnished bulk of serving dishes,
the fretful bark of her father's dog
at the crunching gravel in the driveway
as they arrive to see her off, to eat,
to take her aside in the kitchen for a hug
and an everything will be different now,
which becomes the new chorus in her head on Tuesday
as her plane rushes forward into sky.

Four months. Four
months of emails
instead of dinners
out, but here she is,
feet in a sea
blue as her mother's
pottery, tasting
of saltwater and sticky
dates, his mouth
at her ear, his arms
at her waist, stronger
than the compass-pull
of her northern home.
Istanbul has released
him and now
they drift across the continent,
the only familiar thing
his body, the only familiar
sound the rattle of their next train.

3 comments:

Joanne Epp said...

There is so much delicious sensory detail here. I like 'the colour of... wet Turkish sand' and 'saltwater and sticky/ dates' among others.

I am of two minds about the ending, though (the last 6 lines, i mean). On the one hand it echoes nicely the anticipation in the first stanza that everything would be different. On the other hand, the title and the anticipation of Istanbul made me want to have a bit more of Istanbul instead of leaving it so quickly.

kerryan said...

There's a lot to like here, and I'm especially fond of the repetition of Tuesday and the kettle, and the idea of anticipating travel while being in a state of suspension. I'm a bit unsure about the abrupt change between stanzas -- whether the second is post-Tuesday or memory. Is there a way to intermix the two storylines? Just a thought...

K.I. Press said...

Hey Marika
When I first read this one, I wanted it to end after the first stanza. Nothing wrong with the second stanza, it's just that the first one stands so nicely on its own (at least for me it did). Beautiful poem.